I am continually amazed by the degree of agency I have in my own life. Part of this, I think, has to do with living in a place where rail travel is so common. There is something about standing in a big train station like the one in Cologne, with all different types of trains pulling in and out, bound for places you have always heard about but never been to, and know that you could just hop on to any one you like. No one checks tickets at the door, so even if you didn’t take the 2 minutes to buy a ticket from a machine, you’d get a fair way to somewhere before getting kicked off. It’s an entirely different mentality than air travel, and full of unlimited possibilities.
I woke up last Saturday morning with absolutely no plans, but the weather was so nice, I decided on a last-minute jaunt to Brühl. Brühl is a smallish town halfway between Bonn and Cologne, actually not very far from where I live, but on the other side of the Rhine, so it still takes about an hour to get there. Brühl gets its own entry in Lonely Planet Germany, for three reasons: the palaces, the museum, and Phantasialand, Europe’s first Disney-style theme park. Phantasialand is on my must-visit list for next summer, but it was the other two things I was interested in on this trip.
In the early 1700s, Clemens August of Bavaria became Archbishop of Cologne and a Price-Elector of Holy Roman Emperors, one of whom turned out to be his brother Charles. (You might remember my post about Trier, where I visited the very pink palace of another Elector from about the same era.) And because what else is an Archbishop of the Holy Roman Catholic Church to do with his power and wealth, Clemens built himself two fantastically lavish palaces away from the hustle and bustle of the city, using the very latest designers from France, and connected the buildings with the vast Schlosspark, where he could indulge his fancy for falconry.
Augustusburg, the main palace, is very big and very yellow. And in the early hours of an October Saturday afternoon, it was swarming with wedding parties. I counted at least five. Around every corner there were small groups of men in matching suits standing and smoking, while cold-looking women in white strapless dresses were perpetually hurrying off to somewhere else. All that finery was a little intimidating, so I bypassed the main building (which can only be seen on a guided tour anyway… I may have to bring Markus and Karen here…) in favor of a stroll through the gardens.
The gardens are Baroque, whatever that means, but they are expansive and very, very formal. Everything is planned, geometric and symmetric. I have never seen such square trees. The fountains were not on and the ground looked like it had very recently been dug up for winter, but all the beds were still lined with tiny little hedges in geometric patterns. On the far side of the gardens was a forest, cut through with broad, tree-lined avenues leading to Falkenlust, the smaller but equally lavish hunting lodge. Walking between them takes awhile, but it would be the perfect distance to traverse on horseback, or possibly in a carriage, if one were wearing a really nice gown. Walking through here made me feel like a character in a Jane Austin novel.
Falkenlust is relatively tiny, with only about four rooms on each of the two floors. You are free to wander through them as you like, but you have to wear felt slippers over your shoes that makes it seem like you’re ice skating across the parquet floors. The ground floor has a dining room, a sort of living room, and the guest bedroom suite. Upstairs is August’s private quarters, with his bedroom, dressing room, a coffee salon, and one room where the walls are completely covered in mirrors and Chinese porcelain. The whole place is done up mostly in blue and white, the colors of Bavaria, including the grand stairway which is covered with 5000 blue and white hand painted tiles from Holland. You are not technically allowed to take photos inside, but the mirror room was so fantastic that I waited until the docent wasn’t looking and snapped one anyway. Shhh… don’t tell. According to the pamphlet, seven-year-old Mozart visited Falkenlust in 1763 and noted the mirror room especially in his diary.
As I walked back to the main palace and to town, my first thought was that there was no kitchen in Falkenlust. It must have been in one of the low outbuildings, where the lowly common folk toiled. The second thing was that it suddenly seemed no wonder that Mozart had composed the type of music that he did, if he grew up surrounded by places like this. His music is bright and intricate and exquisite, exactly like the rooms I had just been viewing. It’s the music of lavishly clothed nobility dancing in twinkling, mirrored halls. I suddenly understood how it was possible to describe both music and architecture as Baroque. Thanks to the minor miracle of modern technology, I could actually indulge these musing while listening to Mozart’s music on my iPod as I walked. [Note: The palaces are actually early Rococo (the architectural style that followed Baroque) and Mozart is considered a composer of the Classical era (the musical style that came after Baroque) but still, you get my point.]
Back at the main palace, I continued on to the Max Ernst Museum, just a few blocks away. Max Ernst was a 20th century artist born and raised in Brühl. He attended the University of Bonn before leaving to spend most of the rest of his life in France and Arizona. He was a prominent member of the Dada movement and an early surrealist, so some of his art is very dark and very strange. But he also made these really charming and playful sculptures of funny, geometric creatures with big eyes and endearing smiles. I first saw one of these sculptures (and indeed, first heard of Max Ernst) at the Modern Art Museum in Bonn last winter and have been wanting to visit the museum dedicated to him in Brühl ever since. It did not disappoint. I saw plenty of wonderful sculptures and a lot of other interesting things as well, including a small painting of a woman from the 1930s standing on the terrace of Augustusburg with the gardens in the background, which I found particularly delightful.
By the time I was finished with the museum, it was getting late and wet and dark (curse you winter) but I wandered over to the other train station so I could see a little bit of the town along the way. The picture of the two little square guys below is a Max Ernst fountain in front of the courthouse. The rest of Brühl isn’t much different than most German towns… a pedestrian zone lined with a few historic buildings and a lot of chain stores in ugly and/or nondescript modern buildings. Not that I’m complaining about the stores. I popped into a Galleria and got a couple new pairs of socks. I was tempted by but did not actually get an F.C. Köln rubber duckie-shaped goat. I figured I should actually go to a game first. Don’t worry, it’s on the list.
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Augustusburg
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Side view
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Some of the formal gardens
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View across the pond
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More gardens… and forest
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Avenue of trees
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Falkenlust
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Room of mirrors
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In front of the Max Ernst Museum
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Max Ernst creatures in a town fountain